Late Eighteenth Century Research Articles

The Return of the Native: James MacPherson, Improving Strategies and Clanship Imagination in Late Eighteenth-century Badenoch

This paper examines a neglected facet of the life of the poet and colonial agent James Macpherson (1736–1796). Better known today as the ‘translator’ of Ossian, James Macpherson was also a political writer and MP who enjoyed a long association with the East India Company (EIC). In the 1780s, James returned to his native Badenoch, bought an estate, and played a decisive role in the reconfiguration of the area through military recruitments, land arbitration and new strategies of landownership and improvements. Studying James Macpherson's relation to land and kinship reveals a more complex and ambivalent man than previously acknowledged in existing literature. Drawing from official and private records, as well as Gaelic material, this paper uncovers the extent to which his reestablishment was the product of his imperial activities, as was visible in the reinjection of external capital in land. James's political connections in London were instrumental in assisting Duncan Macpherson (later of Cluny), son of the exiled Macpherson clan chief, in recovering the forfeited estates. Enjoying popularity with his tenants, James was reluctant to impose purely commercial improvements: his considerable East Indian profits provided him with financial emancipation from unpredictable land revenues and the ability to preserve his image of a paternalist landowner locally. However, this paper also engages with James Macpherson's ideology and recreation of a mythical past serving his own interests. Offering valuable help to the entrepreneurial Macpherson gentry also involved in India and America, James took a decisive role in offering advise and support to large-scale improvement projects. His adoption of a lavish lifestyle and conscious use of entertainment, made possible by the influx of colonial wealth, enabled him to challenge the old social order, juxtapose himself with the Cluny Macpherson and recreate a post-clanship culture serving the interests of the colonial gentry. The controversial perception of James Macpherson, whose role oscillated between that of nouveau riche and ‘clan champion’, sheds a new light on the impact of the British Empire on Badenoch, and the Highlands at large. A closer look at his reestablishment in Badenoch, a county traditionally seen by historians as an example of effective management without mass depopulation, provides new perspectives on the intersection of late-eighteenth century empire, improvement, and clanship.

Breaking free? The evolution of intra‐Asian trade at the dawn of globalization (1795–1839)

AbstractThis article contributes to the scholarly discourse on the repercussions of trade liberalization in the late eighteenth and early nineteenth centuries that contributed to early globalization, offering a perspective that extends beyond the traditional focus on Atlantic economies. Our study centres on East and Southeast Asia, pivotal in Pacific and Indian Ocean trade. We overcome data scarcity by presenting a new, partner‐disaggregated imports dataset spanning 10 ports across the region from 1795 to 1839. Employing a gravity model and incorporating interactions, we assess the degree of intra‐Asian trade and its evolution following key events that liberalized East and Southeast Asian commerce in a period when measurable global integration started to become apparent. Supporting new Asian scholarship, our results highlight the remarkable intra‐Asian trade before the high colonial era. We also show that, in general, colonial trade policies fostering inter‐continental trade disproportionately augmented colonial imports in East and Southeast Asia, eclipsing gains in intra‐Asian or Pacific trade, especially before 1830. We explore the impact of the influx of British textiles in the region as a mechanism to explain these trends. Our study illuminates complex trade dynamics in East and Southeast Asia during a transformative period of measurable global integration.

Moses Mendelssohn and the Jewish Questions of Modern Natural Law

Abstract In the late eighteenth century, Johann David Michaelis criticized Moses Mendelssohn for bringing what Michaelis termed his native Jewish tradition into his thinking on universal matters. Yet leaning on Jewish sources had been a key feature of European natural law thinking from the onset of modernity. In this article, the author reads Mendelssohn’s natural law theory as conversant with early modern legal thought that was scrutinized in the enlightenment, shedding new light on Mendelssohn’s innovations and on what Mendelssohn was up against when he offered natural law foundations for toleration. The author finds that arguments for and against toleration of the Jews from the seventeenth century to the nineteenth were tied to the question of whether Judaism contained universal laws or laws particular to the Jews, and suggests that Mendelssohn’s approach, while rejected from the eighteenth to the twentieth century, may be newly relevant today.

The Portuguese Court’s Acquisition of Musical Scores from Italy in the Late Eighteenth and Early Nineteenth Centuries and the Fundo do Conde de Redondo

ABSTRACT The assembling of a library of musical scores of Italian music and libretti was an enterprise undertaken by the Portuguese court throughout the late eighteenth and early nineteenth centuries. The library served a practical need, especially in the wake of the 1755 Lisbon earthquake, and expressed the court’s musical taste; as a result, it received significant investment. Information concerning the growth of the library can be found in previous work on the composer Niccolò Jommelli and his heirs, who were involved in sending scores of the composer’s music to Portugal in the 1760s and 1770s. Drawing attention to evidence in Portuguese royal household correspondence that has not been considered fully to date, as well as some of the scores today preserved in two Lisbon libraries, this article offers a wider examination of how music manuscripts came to Portugal from Italy between c.1770 and c.1820.

Landmarks in the history of neurosyphilis: the neglected observations of Vincenzo Chiarugi.

After the emergence of syphilis in Europe in 1495, it would take over 400 years to unpick the full course of the infection, including the involvement of the brain and spinal cord. This syndrome of mental and physical deterioration was called 'general paralysis of the insane' (GPI). Traditionally, the earliest clear description of GPI is attributed to Haslam in 1798. However, here I describe three clear cases and three highly suggestive cases, together with autopsy findings, published in 1794 by the Italian psychiatrist Vincenzo Chiarugi. Historically, Chiarugi's scholarship has been neglected in favour of English- and French-speaking physicians. His observations also give a rare clue regarding the prevalence of syphilis, suggesting a foothold in northern Italy in the late eighteenth century.

Voltaire’s Breadfruit

The British Government-facilitated introduction of breadfruit trees (Artocarpus altilis) from the Pacific to the Caribbean during the late eighteenth century was a notable feat of economic botany, but the identities of the earliest originators of the idea remain unclear. Previous historical scholarship has focused mainly upon the role of Joseph Banks as the prime mover behind the scheme, while more investigative scholarship has identified one of Banks’s correspondents, Valentine Morris, as having made an early suggestion of the idea in writing. This focus on Banks and Morris, however, may have overlooked or understudied even earlier origins of the idea. After discussing several key individuals involved in the inception of the breadfruit project, this article then considers a series of passages on breadfruit in the writings of Voltaire and presents a hypothetical pathway by which those involved in the actual transfer of breadfruit from the Pacific to the Caribbean, including Banks via Morris, may have been influenced by the French philosopher.

Globalisation Occurred in Loch Craignish in 1720

The arrival of a pirate ship in Loch Craignish in 1720 was an episodic occurrence, which introduced a local community in Argyllshire to the process of globalisation, a process marked by the transoceanic movements of people, goods and ideas. For literate Scots, the wider horizons of the late seventeenth and early eighteenth centuries were opened up by novels, travel literature and newsprint. While reading material stimulated the mind and promoted discussion about matters of global interest, actual commodities from overseas variously engaged all the senses. Globalisation became an active rather than a passive experience. Sight, hearing, smell, touch and taste affected all, from the social, commercial and intellectual elites to the woman in the field and the man in the street in early modern Scotland. Nevertheless, public knowledge of where colonial commodities came from became distanced by time. A global awareness of place was retained in families and communities overtly engaged in mercantile and military adventuring, especially when accompanied by death whether through natural causes, misadventure or mortal combat. Illicit activities had a no less profound impact. Indeed, covert people trafficking, enslavement, smuggling, shipwrecking and piracy had a more local immediacy.

Anglo–Dutch financial connections and contrasts in the late eighteenth century: The Amsterdam phase of the 1772–3 credit crisis

AbstractWe examine the Amsterdam phase of the 1772–3 financial crisis using the British experience in the same episode as comparative context. We conclude that, notwithstanding some direct exposures by Amsterdam institutions to the principals of the London crisis, the main linkage between the two outbreaks was the requirement for cash margin on loans backed by British East India Company shares. No significant contagion via the bills of exchange network spread from London to Amsterdam in the period separating the two outbreaks, but some feeding back of distress to London is noticeable after the Dutch outbreak. The crisis was rooted in credit expansion, a deterioration in asset risk profiles, and speculation in West Indian mortgage securities and British equity markets. Speculators were enabled by information inefficiencies in the specialized and layered Amsterdam markets, and by the absence of a gatekeeper who could have regulated the provision of credit to them. To contain the outbreak, the Dutch drew on the cohesion of an informal club of insiders who led business and civic affairs. Though the credit markets resumed normal operations relatively quickly, the incurred losses were transformative for their long term prospects by devastating some of their most important firms.

Subversive Submersives

The enormity of the ocean presents as an unusual physical obstacle that complicates claims for spaces being urbanised well beyond the traditional container of the city, such as the focus of this discussion: the Southern Ocean. Though commonly perceived as a pristine wilderness at the end of the earth, the ocean surrounding Antarctica has been imbricated in planetary-scale processes of urbanisation since the late eighteenth century, so the absence of this oceanic volume from twenty-first-century urban debates is troubling. Representations of the Antarctic as remote and disconnected from cities do nothing to contribute to a critical discussion of its ocean volume, technological histories or ongoing colonial settler imaginaries. Instead, attention might turn to codifying what the ocean increasingly contains by way of urban processes and, ultimately, what might be offered by confirming extended forms of urbanisation operating on and, importantly, through the earth. In this article I re-present the Southern Ocean via comparative cartographies and critical image-making to cross-examine what its occlusion signifies for the planetary reach of urbanisation. For underneath the machinery of extraction and exploitation lie significant questions regarding representations of the urban as they manifest outside conventions that overstate ‘the city’ as central to urbanisation.

Enlightenment and Exchange

This essay explores a link made in the late eighteenth century between social critique and economic progress. At the intersection of enlightenment and capitalist exchange a series of assumptions about social development and social tutelage are made. While national development driven by exchange was understood to homogenize people, and peoples, over time, I argue that this homogenizing effect depended on a constant application of economic tutelage. According to Adam Smith the propensity to exchange is a universal human attribute driving economic progress, but in practice the adoption of technical change could not be guaranteed by the propensity to exchange alone. As both Jane Austen and Maria Edgeworth recognized, the implication was clear: without critique of old technical forms, no general increase in wealth. A tutor specifying the appropriate stance toward technical progress was forever needed. The form of enlightenment that was good for individuals, to think for yourself, was thus not extended to social groups in the economic realm.

Designing Truth between Manuscript and Publication: The Eighteenth-Century French Vision of Peru in Marmontel’s Les Incas (1777)

This essay interrogates the tensions between historical fact and colonial fiction in Jean-François Marmontel’s Les Incas, ou le destruction de l’Empire du Pérou (1777). Through this study of deleted passages and publisher notes in the 1776 manuscript of the novel (Houghton Library, Harvard University), Marmontel’s concern with verisimilitude, truth, and objective reality belies the fantasy of conquest and the myths of American Indigeneity that are central to eighteenth-century French understandings and imaginings of the Inca Empire and the American continent as a whole. Politically, the novel served a dual purpose: to vehemently denounce the Spanish conquest of the Americas and to subversively critique the “fanaticism” of the ancien régime in the years leading up the 1789 Revolution. Across the Atlantic, the novel was read by generals of the Latin American Wars of Independence, and it shifted from an allegorical text to a direct call for revolution. Despite Marmontel’s aim of creating a philosophical and historical novel, Les Incas perpetuates the hegemonies and hierarchies of colonialism, falling back onto well-established tropes. In choosing what was considered in Europe as “exotic” as a vehicle for political critique, Les Incas maintains and reinforces the very systems against which the revolutionaries of the late eighteenth century fought.

Етноісторичні мотиви (сюжети) в музичному мистецтві України другої половини 18 – початку 19 століття

The purpose of the article is to study ethno-historical motifs in the musical art of Ukraine in the second half of the eighteenth and early nineteenth centuries, with a special emphasis on folk art and its influence on the development of orchestral, choral and individual musical performances. The article examines the cultural and social changes of this era and their impact on the evolution of kobza and bandura art, which served not only as a means of musical expression but also as an important element of preserving national identity and historical memory. The article describes in detail the ethno-historical motifs that were manifested through musical art, reflecting social moods, historical events and the heroic past of the nation. Considerable attention is paid to the analysis of the interaction of folk traditions with professional art forms, revealing the richness and diversity of folk art of that time. The research methodology is based on an integrated approach to the study of historical, musical and cultural aspects, using archival documents and scientific sources, which allows a comprehensive assessment of the influence of ethno-historical motifs on the formation of the cultural landscape of Ukraine in the period under study. Particular attention is paid to the role of kobzars and bandura players, who, by performing historical and contemporary themes, contributed to the preservation of national identity and the reproduction of cultural heritage. The scientific novelty of the study lies in an in-depth analysis of the contribution of musical groups and individual performers to the development of the region’s art, with an emphasis on their interaction with folk traditions and professional music in the context of historical and cultural processes. Conclusions. The emphasise the importance of studying ethno-historical motifs in the musical art of the late eighteenth and early nineteenth centuries as key elements in the formation of Ukraine’s cultural identity, pointing to the need for further research in this area to better understand the role of musical art in the contemporary cultural context.

Geopolitics of mobile masses: refugee and tourist metaphors in Finnish-Russian bordertown media

This paper examines the discourses on mobile others as objects of massification or likened to natural forces. By creating a dialogue between theories of crowds/masses and popular geopolitics, we examine how a local media frames the actual, imagined and absent border crossings of refugees and tourists when a voluminous mobile group disappears in tandem with an emerging unease about a new mobile group. We focus on the freesheet Imatralainen, published in a South Karelian Finnish-Russian bordertown that has been a tourist destination since the late eighteenth century but where invisible geopolitical tension is part of everyday life. Our discourse analysis shows that from the Crimean crisis to the migrant ‘crisis’ (2014–2016), local media have frequently portrayed Russian tourists and non-European migrants via a natural force rhetoric while viewing both refugees and tourists as potential resources or burdens. The mobility of others can represent itself as an external threat, and it can be taken as a perspectival threatscape that opens space for geopolitical issues amplified or transformed through the idea of masses and crowds into potential local issues. The article contributes to tourism geographies and the geopolitics of mobilities literature by evaluating the potential of classical crowd theories for understanding how threatscapes relating to the refugee-tourist nexus are made and manipulated by linguistic collectivisation, silencing and dehumanisation. We argue that more attention should be given to the role of the local in shaping the popular geopolitics of mobilities that construct, sustain and fabricate discourses of ‘otherness’ and massification.

Literary Condemnation of the Slave Trade and Wealth as the Cause of Corruption Represented in the Light of English Literature

This article has illustrated how, within the framework of English literature, the slave trade and money are both literarily condemned as the root causes of corruption. When the slave trade was prohibited in the British Empire in 1807, the idea of equating labourers with slaves was highly controversial. That had happened very swiftly after a campaign that had only really begun 20 years before. Both slavery and the trade in Africans have already been condemned on occasion and in literature. The social objective of imitating the great landed nobility was examined and criticised by Adam Smith. The literature of the eighteenth century was also afflicted by the contradiction between the social and moral hierarchy. It is significantly more focused on the landed classes than the corporate sector, even though it is sometimes considered a bourgeois art form. Contrary to popular belief, writers of the late eighteenth century did not promote bourgeois principles in opposition to those of the aristocracy. Conversely, in the last decades of the century, they favoured a rural way of life and resisted urbanisation. They tended to side with the underclass against their new rulers, the industrial bourgeoisie, in the class struggle that industrialization sparked.

The Intellectual World of Phillis Wheatley and the Politics of Genius

Abstract: This article examines the life and work of Phillis Wheatley and her interlocutors to consider how African-descended people conceptualized liberty and formed an intellectual community during the American Revolution. Her poetry and epistolary exchanges, shared with a range of acquaintances in the Atlantic World, reveal an intellectual universe that she created for herself and one that drew her into the political spotlight. Leaders of the founding generation began to question the intellectual possibilities for an African girl in ways that held political implications for the future of slavery. I argue that Wheatley's life and work opens critical avenues for exploring intellectualism as an aspiration of Black life in early America, and that her world of ideas sheds light on the possibilities of Black girlhood in the late eighteenth century.

To Press, Dry, Organise, and Represent

Abstract This paper examines the epistemological relation between two types of scientific image produced during a botanical expedition to New Granada in the late eighteenth and early nineteenth centuries: herbarium sheets and botanical illustration. Visual analysis of an exceptional collection of these two types of documents brings to light how scientific ideologies were transferred from Europe to New Granada, during the transformation of this latter from a colony to a republic. This study shows how features such as composition, proportion, and pictorial technique derive from both aesthetic choices and epistemological necessities. It reveals the development of a codified visual language resulting from a highly organised and structured outcome, complying with Carl Linnaeus’ principles of classification, and materialising a new way of looking at plants based on Isaac Newton’s universal mathematical principles.

The Letter‐Writing Manual and the Epistolary Novel

AbstractThe relationship between real and fictional letters in the late seventeenth and early eighteenth centuries has been the source of much critical debate. Disagreement surrounds the extent to which the increasingly popular genre of the epistolary novel drew on the practices and techniques of actual correspondence. On the one hand are those who see epistolary fiction as developing out of real‐life letters, with some literary‐stylistic additions. On the other hand are those who reject this teleological approach in favour of one that emphasizes the functional versatility of the letter in the period, and the difficulty, if not impossibility, of drawing a distinction between its real and fictional incarnations. This relationship between real correspondence and epistolary fiction is brought into sharp focus by the genre of the letter‐writing manual, which rose sharply in popularity from the last two decades of the seventeenth century onwards. Concentrating on John Hill's The Young Secretary's Guide (1689), Thomas Goodman's The Experience's Secretary (1699), and G. F.'s The Secretary's Guide (1705), in particular, in this article, I suggest that the style of the letter‐writing manual from this period can, with caution, be compared with that of the epistolary novel. I pay particular attention to the ways in which letters in these manuals respond to and quote from each other and the often subtle ways in which they thus incorporate different voices. This polyvocality is taken further in Samuel Richardson's manual Familiar Letters (1741), which, as is well known, provided the raw material for his first novel Pamela; or Virtue Rewarded (1741). I demonstrate that some of the stylistic techniques which would prove crucial to the great epistolary novels of the later eighteenth century, including Richardson's, can be found, at least in embryonic form, in the letter‐writing manuals of the Restoration period.

Joanna Baillie’s De Monfort: A Crisis of Class Identity

The late eighteenth and the early nineteenth centuries in Britain are characterised by socio-cultural and political turmoil and transformations specifically due to the impacts of the revolutions, the growth of the middle class and thus the changing class hierarchies. Within this chaotic socio-political atmosphere, the Gothic becomes a very dominant and popular genre projecting these transitions of this period. Joanna Baillie who is influenced by the Gothic craze of the age like many writers is regarded as one of the most significant playwrights of the period. In one of her well-known Gothic plays, De Monfort (1798), Baillie portrays the anxiety and fear of the loss of power and status by the aristocracy. Thus, she creates a Gothic atmosphere surrounded by claustrophobic and paranoid anxiety of De Monfort. De Monfort, who is also affected by fear and paranoia dominating the period as a result of the political sanctions, cannot adjust himself to the changing social structure. Considering the changing class hierarchies, particularly De Monfort’s attachment to his family name becomes the core of the play in terms of his fear of obliteration. In the context of the socio-cultural and political dynamics of the Romantic period, this study aims to argue how Baillie illustrates the shifting class dynamics and the anxieties of the period with reference to her Gothic play, De Monfort.

C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century

AbstractThe long careers of Carl Philipp Emanuel Bach and Joseph Haydn coincided with fundamental transformations in how keyboard instruments were built and played and how composers wrote for them. Haydn's keyboard music probably saw the more profound changes in compositional style, yet C. P. E. Bach and others preceded him in discovering ways to incorporate new keyboard idioms into pieces written for new types of instruments. Bach gradually shifted from writing generic keyboard music to composing in idioms most appropriate to two-manual harpsichords, unfretted clavichords or fortepianos. Haydn likewise began writing in a generic idiom; many works that have been posited as having been meant for the clavichord cannot in fact be assigned clearly to that or any other specific instrument. Although Haydn did eventually turn to writing specifically for the fortepiano, he too made a gradual, and relatively late, transition from a generic approach to one that centred on the grand fortepianos of the late eighteenth century. Bach's influence on Haydn is inseparable from the matter of the keyboard instruments. Although the precise nature and extent of Bach's influence cannot be determined, compositional elements derived by Haydn from Bach's music range from superficial thematic and notational parallelisms to fundamental conceptions of what keyboard music could be or could express.

Beyond prometheanism: Modern technologies as strategies for redistributing time and space

Technologies developed since the late eighteenth century differ from earlier forms of technology by being as dependent on world market prices of labour, land and other biophysical resources as on human inventiveness. Yet, whether their outlook is mainstream or heterodox, modern people tend to view technology simply as ingenuity applied to nature, while oblivious of the extent to which it is contingent on the asymmetric exchange of resources in global society. Although inextricably entwined in the real world, the phenomena studied by economics and engineering are kept conceptually separate. This is achieved by disregarding the materiality of world trade. Modern technologies are not just instruments for solving problems but social strategies for redistributing time and space in world society, displacing work and environmental loads to sectors of the world system where wages are lower and environmental legislation less rigorous. Technology should not remain extraneous to social theory. A sociometabolic reconceptualisation of technology is particularly essential for critics of global capitalism.